Figure/JTBC
A few days ago, it was mentioned that this "Agency Company" starring Li Baoying was among the top ten in JTBC's historical ratings. For a new drama that just ended a while ago, such a result is naturally very good, although in my own From a visual point of view, the brilliance of this drama is completely different from that of "The Youngest Son of the Chaebol", which has been ranked among the top ten rankings of JTBC's recent ratings. A certain degree of credibility, perhaps in the final analysis, is related to the workplace culture of Korea itself, which has attracted such a high degree of attention.
The heroine workplace drama "Agency Company" promotes the issues of feminist awareness and class injustice. Such issues can be said to be inevitable in Korean dramas. It can be seen that this problem is very important in the Korean traditional class-conscious workplace. It is very touching, and because of this, it resonates with Koreans very much, but apart from the cloak of the topic, this drama is not very good in terms of shooting rhythm or plot, so I will say, if it is not for this drama With Lee Bo Young starring, I probably wouldn't have chased it all.
Figure/JTBC
It's rare that I really finished chasing this "agency company" that I wanted to abandon.
One of the reasons is that there are no new dramas recently, there is a shortage of farce, and I don't really want to work, so I just got it back and finished it.
The second reason is because it has created a certain ratings after all. You have to watch the show before you can write a sincere review of the Queen.
To sum up, this is a 100% workplace drama for urban women. It packs discrimination against women and class injustice into this pure workplace drama. It also introduces in depth about advertising agencies through the heroine's daily workplace. The work content of this industry, if you are interested in the advertising industry, you should be able to use this drama to gain some workplace experience.
The heroine has no love line, the man who appeared at the beginning who could become love disappeared inexplicably, and never appeared again until the end of the play, I was also drunk...
A pure workplace drama without a love line at all is missing a lot for the Queen, but the rare thing is that I still finished chasing it, ha, so it should be a drama that can still be watched. ??
圖/JTBC
前幾天有提到這部李寶英主演的「代理公司」位在JTBC歷代收視排行榜前十大之中，以前陣子才完結的新劇來說，這樣的成績自然是非常不錯的，雖然以本人的眼光來說，這部劇的精采度和近期一樣位居JTBC歷代收視前十大排行榜中的「財閥家的小兒子」完全是天差地別，但既然是人家調查出來的數據，相信也有一定的可信度，或許歸根究柢是和韓國本身的職場文化有關，才會引起如此高的關注度。
大女主職場劇《代理公司》帶動女權意識和階級不公的議題，這樣的議題在韓劇中可說是必必皆是，可見這方面的問題在韓國傳統階級意識極重的職場中是讓人很有所感的，也因此讓韓國人很有共鳴，但除去議題這件外衣，這部劇不管在拍攝的節奏或是劇情上都不是非常出色，也因此我才會說，要不是這部劇是李寶英主演的，我可能就不會把它追完了。
圖/JTBC
難得，我真的把這部本來想棄掉的「代理公司」給追完了。
原因之一是近期沒新劇，鬧劇荒，本人又不太想工作，就乾脆把它找回來追完。
原因之二是因為它畢竟創造了一定的收視率，總要把劇看完才能寫一下女王真心的劇評。
總結來說，這是一部完全百分之百的都市女性職場劇啊，把對女性的歧視及階級的不公包裝在這純粹的職場劇中，也藉由女主的職場日常深入的介紹了關於廣告代理這個行業的工作內容，如果對廣告行業有興趣的朋友應該可以藉此劇收獲一些職場心得。
女主沒有愛情線，一開始出現的那位可能成為愛情的男人竟然莫名其妙消失了，一直到劇終都沒再出現過，我也是醉了......
一部完全沒有愛情線的純職場劇，對女王而言就是少了一大點的什麼，但難得的是我還是追完它了，哈，所以說，應該是還可以看的一部劇吧??