One of the best ways of the past is to cover it. Even today there is a similar attraction.

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We are fascinated by Persian jewelry and the way it is made.The appeal of the construction of its crust still lies precisely in its royal beauty.

Persian beauty is known throughout the world. Persian clothing, ornaments, ornaments, and jewelry are always pleasing to us. In Milton's words, ‘beauty is a natural substance, never to be saved.’ That is why Bengal is like Persia in many ways. That beauty, the art of Persian creation has shone in our way in various ways.

There is no end to our interest in Persian jewelry. The most beautiful regal in the world of past and present jewelry is the design of its enamel. The origin of the jewelry is in ancient Persia.

The jeweler designs enamels
Meenakari is designed for a retailer: Dipu Malakar
The word minakari comes from the Persian word 'minu'; It means heaven. Work on this craft began in Iran in the early sixteenth century. Later, when the Mongols invaded Persia, they became fascinated with the art form. From then on, Minakari's conquest of the Indian subcontinent began. However, the fame of making Minakari most popular on the continent goes to Raja Mansingh of Rajasthan during the reign of Emperor Shah Jahan. He is the one who brought the artist of the Minoric art of Lahore.

Initially, Minar was restricted to building the Persian monarchs and rulers. At the time, various patterns of measurement were used, one of which was the perfect gold standard using the same color. Even today, pillars, walls, stairs or courtyards of ancient buildings, thrones used by kings and queens, jewelry boxes, and key keys can be seen embellished on this pattern. Artisans in India bring in ornaments or clothes with their designs on the cover. It gained popularity from Rajasthan and spread to Punjab, Delhi, Lucknow and Bengal.

Minakari with jewelry and ornaments
Rings with red and green crust designs
Weep with red and green crustacean designs: Dipu Malakar
Gold and silver jewelry was a favorite of the brilliant women of the region before they became acquainted with Minakari designs. But in the Mughal era, gold jewelry was bright, rich, and high-quality. As a result, elaborate necklaces, earrings, belts, bracelets, armpits, tikli, sixhars, ranihars, mathapatti, ear and necklaces, anklets, rings, turbans and brooches are replaced by wonderfully made jewelry. with gold or silver.

Initially, the color red was given first priority. Gradually the design and color of its enamel change. The inclusion of blue and blue enamel was very common in Lucknow. The rose lotus or brightly colored motif lotus is very popular in Benares jewelry.

The level of performance of its enamel
Harshabi's work in Minar: SKG Photography, Pekzelsodtom
In our country, there is a special attraction to jewelry designed by women. Whether it is a small party or a wedding, Meenakari jewelry is now readily available and at the same time revered.

Some of its current enamel designs are blue powder or velvet choker, jewelry necklace, peacock necklace, white gold earrings, green princess necklace, purple collar necklace, lotus or bird motif necklace, necklace , majuna Tika and Mathapatti, Kalka motif necklace, precious Sahara earrings, sapphire earrings etc.

The most interesting feature of the design of its enamel is the bright colors and design. It can be sorted by user perspective. If you want to, you can make the budget more friendly, but you can also make it more expensive. The Bronch can be customized, with a silver frame. It can be styled by embellishing it with Kundan, Jadau, Palki, gold frames and colored gemstones.