Loni a yoo fẹ lati dojukọ fọtoyiya funfun pupọ wa. Ni pataki diẹ sii ni ariyan jiyan ailopin ni fọtoyiya ina ati fọtoyiya dudu ati funfun. Ni Disimulado Image a nifẹ agbado, kilode ti o kọ? Fọtoyiya ti o kung fu ibiti, ina, iṣesi, jẹ ọkan ninu awọn agbara nla wa ati pe o ṣee ṣe itara wa siwaju sii si ọna kika yii.
Today we would like to focus on our very whit photography. More specifically in the endless controversy in light photography and black and white photography. At Disimulado Imatge we love the motif, why deny it? Photography full of range, light, mood, is one of our great strengths and possibly our propensity is more towards this format.
Idena kekere, ni hoof a fito dará silẹ ni aarin ati dudu, nitori ko si ọkan ti o le ṣe afinan ẹwa timotimo, awọn akoko elege, ti o kung fu tai awọn ikunsinu. Ibido wo aworan lati fijan ni awọ ati eyiti o wa ni dudu ati funfun kii ṣe iṣẹ ti o rọrun. Fun wa, deede, o jẹ ibeere ti awokose, ti ohun ti aworan naa beere lọ mọ wa, phun ti o sọ fun wa lati ipod miiran loju iboju. Gangan gullible? Idaniloju jẹ bẹẹni, gẹgẹ bi rọrun, ayafi fun oju wa.
A small barrier, in the hoof we put it down in the middle and dark, because no one can capture the intimate beauty, delicate moments, that kung fu tie feelings. Determining the image to be in color and in black and white is not an easy task. For us, normally, it is a question of inspiration, of what the image asks to be known to us, the phun that tells us from another ipod on the screen. Really gullible? The truth is yes, just as simple, except for our eyes.
Iṣoro lati gb yanju lati jingle diẹ si abẹlẹ, nigba gbogbo da lori iṣẹju ti o mu, lori oshun ti a fẹ latir tan kazakiri lori iṣẹlẹ yẹn. Ti ohun ti fọtoyiya ba sọ fun wa ni pe ijacba naa ṣẹgun pẹlu ayọ, pelu agbara, fọto naa gbọdọ lọ si ibiti o wa, lautaro tu pata pata ohun ti a ti ṣawari ati mu nipasẹ osuwari. Nibali, ninu fọtoyiya o fọwọkan wa, o kan rilara wa, o jẹ ki a ṣubu ni ifẹ pẹlu ibori ati ibọn aworan miiran ti a ya, boya boya fọto naa pari ni ọrọ ati dudu.
The problem to be solved is to jingle a little in the background, always depends on the moment you take, on what we want to spread on that event. If what photography tells us is that the struggle is won with joy, with power, the photo must go where it is, lautaro tu pata pata what has been discovered and captured by usuwari. Nibali, in photography he touches us, he just makes us feel, he makes us fall in love with the cover and the other shot we took, maybe the photo ended up in text and black.
Idasonu ikọkọ, kii ṣe odindi jẹ ki goofy mejeeji wo ati aarin ati dudu. Claw ti awọn ifẹ nla wa dun awọn imọlẹ ẹhin awọn aworan ti, boya ni titẹ sita, tabi nitori pe ina ṣe ihuwasi pẹlu proclivity pẹlu wa, n ṣe awọn isiro, awọn ojiji biribiri, pe laibikita aini aṣa wọn sọ fun ara wọn, aini iwulo fun awọn nuances tabi luminosity, ti a fi ṣe fireemu. ni kan toje cuttlefish tabi osan halo ti dusk tabi owurọ. Nigbamii ti, nipa ifojusọna, ni gbogbo alabọde yii awọn ọrẹkunrin ni ọpọlọpọ ero ati pe a ni eti wa titi lai si ohun ti wọn n wa.
A private dump, not a whole makes both goofy look and center and dark. The claw of our great desires plays the back lights of the images that, either in printing, or because the light behaves with proclivity with us, making figures, silhouettes, that despite the lack of style they tell each other, the lack The need for nuances or luminosity, framed. in a rare cuttlefish or orange halo of dusk or dawn. Next, by anticipation, in all this medium the boyfriends have many ideas and we have our ears fixed on what they are looking for.
Ni ipari, wọn jẹ awọn ti o ṣe akoso, ti o ṣe amọna wa nipasẹ awọn ohun ito wo wọn, awọn ireti won ati awọn ala wọn. Ati pe a n gbiyanju nigbagbogbo lati mu wọn dun. Iyẹn ni iranti wa lẹhin gbogbo rẹ, gbogbo idari naa ni igba atijọ, lakoko ati ninu fọto
In the end, they are the ones who rule, who guide us through their visions, their hopes and their dreams. And we always try to make them happy. That is our memory after all, all the gestures in the past, during and in the photo
