Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.
Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty-First Century And A Circadian Musical (1984-1987).' Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.
Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.
Frank Duna
Sonnet 70 by Francisco Luis Arroyave Tabares
One Thing Remains
I have forsaken blindness that my youth
Iead to those corners where I praised deceit 2
Havíng my liberties away from truth
And defending the worth of my conceit. 4
Renewing my life is an adventure
For which I steal patience and its moods
Other seas my utterance now nurture
And my measures sing hope amid green woods.
But one thing reminds as it is timeless
My wants for you that I could not erase
They have grown much instead in the darkness
And between shadows that my passions chase.
I will rehearse love each day for a while
Until I reach the kingdom of your smile.
***
2-. deceit = deshonest action.
4-. conceit = false self enlargement.
Analysis "One Thing Remains"
Introduction
Sonnet 70 by Francisco Luis Arroyave Tabares, titled "One Thing Remains," is a beautifully crafted poem that explores themes of self-realization, transformation, longing, and love. The sonnet follows the traditional Shakespearean sonnet structure, consisting of three quatrains and a concluding couplet, with the rhyme scheme ABAB CDCD EFEF GG.
Thematic Analysis
In the first quatrain, the speaker reflects on his past, acknowledging his youthful blindness that led him to value deceit and false self-enlargement (conceit). This suggests a period of self-deception and arrogance in his past, where he strayed from the truth and defended his inflated self-worth.
The second quatrain marks a shift in the speaker's life. He describes his transformation as an adventure, requiring patience and a change in perspective. The speaker has moved on to "other seas," a metaphor for new experiences or perspectives, and his "measures," or actions, now sing of hope in a more natural and truthful environment ("green woods").
The third quatrain introduces the timeless element that remains unchanged despite the speaker's transformation - his longing for the unnamed "you." His desires have not faded but have grown in the darkness, suggesting a sense of unfulfilled love or longing that persists despite his personal growth and change.
The concluding couplet reaffirms the speaker's enduring love. He promises to "rehearse love each day for a while," indicating his commitment to expressing his feelings, until he reaches the "kingdom of your smile," a metaphor for the reciprocation of his love or the happiness he seeks in the beloved's acceptance.
Overall, this sonnet is a journey of self-discovery and transformation, marked by enduring love. It beautifully captures the speaker's evolution from a self-deceptive youth to a more mature and truthful individual, all the while maintaining a deep, unchanging love for the unnamed "you."
Structure and Rhyme Scheme
Sonnet 70 by Francisco Luis Arroyave Tabares follows the traditional Shakespearean sonnet structure, which consists of three quatrains (four-line stanzas) and a concluding couplet (two-line stanza). The rhyme scheme of a Shakespearean sonnet is ABAB CDCD EFEF GG.
Let's break down the sonnet line by line:
1. I have forsaken blindness that my youth (A)
2. Iead to those corners where I praised deceit (B)
3. Havíng my liberties away from truth (A)
4. And defending the worth of my conceit. (B)
In the first quatrain, the end words of the first and third lines ("youth" and "truth") rhyme with each other (A), and the end words of the second and fourth lines ("deceit" and "conceit") rhyme with each other (B).
5. Renewing my life is an adventure (C)
6. For which I steal patience and its moods (D)
7. Other seas my utterance now nurture (C)
8. And my measures sing hope amid green woods. (D)
In the second quatrain, the end words of the fifth and seventh lines ("adventure" and "nurture") rhyme with each other (C), and the end words of the sixth and eighth lines ("moods" and "woods") rhyme with each other (D).
9. But one thing reminds as it is timeless (E)
10. My wants for you that I could not erase (F)
11. They have grown much instead in the darkness (E)
12. And between shadows that my passions chase. (F)
In the third quatrain, the end words of the ninth and eleventh lines ("timeless" and "darkness") rhyme with each other (E), and the end words of the tenth and twelfth lines ("erase" and "chase") rhyme with each other (F).
13. I will rehearse love each day for a while (G)
14. Until I reach the kingdom of your smile. (G)
In the concluding couplet, the end words of the thirteenth and fourteenth lines ("while" and "smile") rhyme with each other (G).
So, the rhyme scheme of the sonnet is ABAB CDCD EFEF GG, which is characteristic of a Shakespearean sonnet.
Analysis of Aspects
While we've covered the general themes, structure, and rhyme scheme of Sonnet 70 by Francisco Luis Arroyave Tabares, there are still several aspects that can be further analyzed, including the use of imagery, meter, and tone.
Imagery: The sonnet is rich in imagery, which helps to evoke emotions and paint a vivid picture in the reader's mind. For instance, "Other seas my utterance now nurture" uses the image of seas to symbolize vast, unexplored territories of experience or knowledge. "Green woods" symbolize a natural, peaceful, and hopeful environment. The "darkness" and "shadows" in the third quatrain create a sense of mystery and unfulfilled longing. The "kingdom of your smile" in the final line is a powerful image that conveys the speaker's deep affection and longing for the beloved.
Meter: Like traditional sonnets, Sonnet 70 appears to follow the iambic pentameter, which is a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable. However, due to the lack of stress markers in the text, a detailed metrical analysis would require a careful reading to identify the stressed and unstressed syllables.
Tone: The tone of the sonnet shifts from regretful and introspective in the first quatrain, to hopeful and determined in the second, to longing and passionate in the third, and finally to a tone of enduring love and anticipation in the concluding couplet. This shift in tone mirrors the speaker's journey from self-deception to self-realization, transformation, and enduring love.
Symbolism: The sonnet also uses symbols to convey deeper meanings. For instance, "blindness" in the first line could symbolize ignorance or lack of insight, while "light" in the third quatrain could symbolize knowledge, clarity, or truth.
Language and Diction: The sonnet uses formal and elevated language, characteristic of traditional sonnets. The choice of words (diction) reflects the speaker's introspective and emotional state. Words like "forsaken," "deceit," "conceit," "adventure," "patience," "timeless," "darkness," "shadows," "rehearse," and "kingdom" contribute to the sonnet's themes of self-realization, transformation, longing, and love.
Emotional Arc: The sonnet takes the reader on an emotional journey, from the speaker's regret over his past self-deception, through his transformation and newfound hope, to his enduring longing and love for the unnamed "you." This emotional arc is a key aspect of the sonnet's impact and appeal.
(GPT4)
Count the syllables of each line of the poem
(www.howmanysyllables.com)
One Thing Remains
10 I have forsaken blindness that my youth
10 Iead to those corners where I praised deceit
10 Havíng my liberties away from truth
10 And defending the worth of my conceit.
10 Renewing my life is an adventure
9 For whích I steal patience and its moods
10 Other seas my utterance now nurture
10 And my measures sing hope amid green woods.
10 But one thing reminds as it is timeless
10 My wants for you that I could not erase
10 They have grown much instead in the darkness
10 And between shadows that my passions chase.
10 I will rehearse love each day for a while
10 Until I reach the kingdom of your smile.
***
Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)
Analyzed by GPT4 and www.howmanysyllables.com; Image by leonardo.ai;
First published on Nostr Protocol by [email protected]
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