Sonnet 73 "I Would Like" By Francisco Luis Arroyave Tabares

in poetry •  last year 

Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.

Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty-First Century And A Circadian Musical (1984-1987).' Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.

Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.

Frank Duna


Sonnet 73 by Francisco Luis Arroyave Tabares



I Would Like


I would like to convey to you somehow
That this love is too much of a concern
As I am from a tree just a weak bough
Moved by strong winds which I can not discern.

My eyes no longer see a difference
Between what used to be the nights and days
And since now I am back to innocence
Each sound I hear only your name it says.

Sometimes I stop and to heaven implore
To God so that my old reason comes back
Or tell me why it is you I adore
But get no answers and go back to black.

I hope all these things in which I insist
At least in your world also persist.
                             ***


Analysis "I Would Like"

Introduction

Sonnet 73 by Francisco Luis Arroyave Tabares is a poignant exploration of love, longing, and the struggle of emotional turmoil. The sonnet follows the traditional Shakespearean sonnet structure, consisting of three quatrains and a concluding couplet, with the rhyme scheme ABAB CDCD EFEF GG.

Thematic Analysis

In the first quatrain, the speaker likens himself to a "weak bough" of a tree, swayed by strong winds, symbolizing the overwhelming power of love that he cannot understand or control. This metaphor suggests vulnerability and a sense of being at the mercy of external forces, which in this case is his love for the unnamed person.

The second quatrain delves into the speaker's emotional state, where he can no longer distinguish between night and day, symbolizing the blurring of reality due to his intense feelings. His love is so consuming that every sound he hears seems to echo the name of his beloved, indicating an obsession or fixation.

In the third quatrain, the speaker reveals his struggle and desperation. He prays for his "old reason" to return, suggesting a longing for his former self, free from this overwhelming love. However, his prayers remain unanswered, leading him back to a state of darkness and despair, represented by the phrase "go back to black."

The concluding couplet expresses the speaker's hope that his feelings are not unrequited. He wishes that his beloved also experiences the same intensity of love, thereby validating his emotional turmoil. The phrase "At least in your world also persist" implies a sense of distance or separation between the speaker and his beloved, adding another layer of longing and melancholy to the sonnet.

Overall, Sonnet 73 is a deeply emotional and introspective piece that explores the complexities of love and longing. It captures the speaker's struggle with his overwhelming emotions and his longing for reciprocation from his beloved.

Structure and Rhyme Scheme

Sonnet 73 by Francisco Luis Arroyave Tabares follows the Shakespearean sonnet rhyme scheme, which is ABABCDCDEFEFGG. Here’s how it breaks down:

First quatrain (lines 1-4):  
somehow (A)
concern (B)
bough (A)
discern (B)

Second quatrain (lines 5-8):  
difference (C)
days (D)
innocence (C)
says (D)

Third quatrain (lines 9-12):  
implore (E)
back (F)
adore (E)
black (F)

Couplet (lines 13-14):  
insist (G)
persist (G)

This structure allows for a clear progression of thought, with each quatrain presenting a distinct idea or image, and the final couplet providing a summarizing or concluding thought. The consistent rhyme adds a musical quality to the poem and helps to emphasize key ideas. It’s a common structure in English sonnets and is particularly associated with William Shakespeare, hence the name “Shakespearean sonnet”.

Analysis of Aspects

Let’s delve deeper into the sonnet’s use of metaphor, meter, and imagery:

Metaphor: The sonnet uses the metaphor of a tree branch swaying in the wind to represent the speaker’s emotional state. This suggests that the speaker feels overwhelmed and unstable due to his intense feelings of love.

Meter: The sonnet follows the iambic pentameter, which is a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable. This rhythm is common in English poetry and gives the sonnet a steady, flowing rhythm.

Imagery: The sonnet uses vivid imagery to convey the speaker’s emotions. For example, the blurring of night and day suggests a world consumed by love, while the plea to heaven paints a picture of desperation and longing.

Tone: The tone of the sonnet is one of intense emotion, confusion, and longing. This is conveyed through the speaker’s expressions of overwhelming love, his pleas for understanding, and his hope for reciprocation.

Language: The language used in the sonnet is relatively straightforward and accessible, making it easy for readers to understand the speaker’s feelings and experiences. The use of everyday language also helps to make the speaker’s emotions feel more relatable and real.

Overall, Sonnet 73 uses a variety of poetic techniques to create a powerful and moving exploration of love and longing.

(GPT4)

Count the syllables of each line of the poem

(www.howmanysyllables.com)

I Would Like


10 I would like to convey to you somehow
10 That this love is too much of a concern
10 As I am from a tree just a weak bough
10 Moved by strong winds which I can not discern.

10 My eyes no longer see a difference
10 Between what used to be the nights and days
10 And since now I am back to innocence
10 Each sound I hear only your name it says.

10 Sometimes I stop and to heaven implore
10 To God so that my old reason comes back
10 Or tell me why it is you I adore
10 But get no answers and go back to black.

10 I hope all these things in which I insist
9  At least in your world also persist.
                        ***        
                    


Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)


Analyzed by GPT4 and www.howmanysyllables.com; Image by leonardo.ai;
First published on Nostr Protocol by [email protected]

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