Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.

Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty First Century And A Circadian Musical (1984-1987).' Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.

Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.

Frank Duna

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Sonnet 46 by Francisco Luis Arroyave Tabares

Being In Love


From fairy tales that all the beauty hold
When I was a child I made my dreaming
And those creatures that never did get old 
Still in folds of my memory keep beaming.

While youth erodes most of my hours are spent
In what to be a lord of ways requires
Little I care for what goals of yore meant
Or heroes that a little boy admires.

Something, though, each night comes in crafty frame 
Of lovely features in a time doldrum,
A castle above the mist bears my name
And past princely signs take over my humdrum...

Being in love I can maintain inly
Beautious charms I pined ceasessly.
                          ***

Analysis "Being In Love"

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Introduction

Sonnet 46 by Francisco Luis Arroyave Tabares, titled "Being In Love," is a reflection on the transformative power of love and its ability to infuse life with beauty and meaning. The sonnet follows the traditional structure of 14 lines, typically used in English and Italian sonnets.

Thematic Analysis

The first quatrain (four lines) introduces the speaker's childhood, filled with fairy tales and timeless creatures that continue to live in his memory. This sets a tone of nostalgia and longing for the innocence and wonder of youth.

The second quatrain transitions to the speaker's present, where he is consumed by the responsibilities and demands of adulthood ("a lord of ways"). He expresses a lack of interest in the ambitions and heroes of his childhood, suggesting a disillusionment with the realities of growing up.

The third quatrain introduces a nightly vision that breaks the monotony of his life. This vision, a "castle above the mist" bearing his name, symbolizes a romantic ideal or dream that brings excitement and meaning to his life.

The final couplet (two lines) reveals the source of these nightly visions: being in love. The speaker suggests that love allows him to hold onto the "beautious charms" he yearned for in his youth. This implies that love has the power to restore the sense of wonder and beauty that he felt as a child.

Overall, the sonnet explores the themes of nostalgia, disillusionment, love, and the power of imagination. It suggests that while adulthood may bring responsibilities and disillusionment, love can restore a sense of wonder and beauty to life.

Rhyme Scheme

The sonnet follows a unique rhyme scheme that doesn't strictly adhere to the traditional English (Shakespearean) or Italian (Petrarchan) sonnet forms.

The rhyme scheme of the sonnet is as follows:

- First quatrain: ABAB (hold-dreaming-old-beaming)
- Second quatrain: CDCD (spent-requires-meant-admires)
- Third quatrain: EFEF (frame-doldrum-name-humdrum)
- Final couplet: GG (inly-ceaselessly)

The first three quatrains each have their own distinct sets of rhymes, while the final couplet rhymes with itself. This structure allows each quatrain to stand somewhat independently, each presenting a different stage of the speaker's life or a different aspect of his experience. The final couplet, with its self-contained rhyme, provides a succinct conclusion to the sonnet.

It's also worth noting that the sonnet is written in iambic pentameter, a common meter in English poetry that consists of five pairs of unstressed and stressed syllables per line. This gives the sonnet a rhythmic quality that enhances its musicality and flow.

Additional Aspects to Analyze

In addition to the rhyme scheme and meter, there are several other aspects of the poem that could be analyzed:

1. Imagery and Symbolism: The poem is rich in imagery, from the fairy tales and timeless creatures of the speaker's childhood to the castle above the mist in his nightly vision. These images serve as symbols for different stages of the speaker's life and his evolving perceptions of love and beauty.

2. Tone and Mood: The tone of the poem shifts from nostalgic and wistful in the first quatrain, to disillusioned and weary in the second, to hopeful and romantic in the third. This shift in tone reflects the speaker's emotional journey and his transformation through love.

3. Theme: The central theme of the poem is the transformative power of love. Despite the disillusionment and monotony of adulthood, the speaker finds beauty and meaning in his love, which he describes as a castle above the mist that bears his name. This theme is a common one in romantic poetry and could be explored in relation to other works in this tradition.

4. Language and Diction: The poet's choice of words contributes to the poem's overall mood and meaning. Words like "erodes," "crafty," and "humdrum" convey a sense of weariness and disillusionment, while "beaming," "lovely," and "beautious" evoke a sense of beauty and wonder. The contrast between these sets of words reflects the speaker's emotional transformation through love.

5. Structure and Form: While the poem follows the basic structure of a sonnet with its 14 lines and iambic pentameter, its unique rhyme scheme sets it apart from traditional sonnet forms. This could be seen as a reflection of the speaker's unique experience of love, which doesn't conform to the expectations and ideals of his childhood fairy tales.

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(GPT4)

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Count the syllables of each line of the Sonnet

(www.howmanysyllables.com)

Being In Love


10 From fairy tales that all the beauty hold
10 When I was a child I made my dreaming
10 And those creatures that never did get old 
11 Still in folds of my memory keep beaming.

10 While youth erodes most of my hours are spent
10 In what to be a lord of ways requires
10 Little I care for what goals of yore meant
10 Or heroes that a little boy admires.

10 Something, though, each night comes in crafty frame 
10 Of lovely features in a time doldrum,
10 A castle above the mist bears my name
11 And past princely signs take over my humdrum...

10 Being in love I can maintain inly
9  Beautious charms I pined ceasessly.
                         ***

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Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)

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Analyzed by GPT4 and www.howmanysyllables.com; Image by leonardo.ai;
First published on Nostr Protocol by [email protected]