Film Review: New World Disorder (1999)

in movies •  6 months ago 

(source:imdb.com)

When it comes to increasing computer literacy through 1990s Hollywood films, one would quickly find themselves at a dead end. For Hollywood filmmakers, computer technology often served as nothing more than an excuse for lackluster special effects, attempts at being "hip" with references to "virtual reality," or pandering to the technophobic masses. New World Disorder, a 1999 thriller directed by Richard Spence, unfortunately did little to elevate this trend.

The story kicks off in Silicon Valley, where two young computer experts hatch a plan to strike it rich by stealing the highly valuable Rosetta Stone software from their company. However, their scheme is disrupted by a group of more traditional criminals who rely on explosives and firearms to break into software facilities and make off with valuable goods. Their leader, Kurt Bishop (portrayed by Andrew McCarthy), sets his sights on Rosetta Stone. The investigation into Bishop's raid falls on the shoulders of David Marx (played by Rutger Hauer), a detective who prefers old-school police work and harbors a disdain for computer technology. He is joined by Kris Paddock (played by Tara Fitzgerald), a young FBI agent who happens to be a computer expert.

While the film makes use of Luxembourg locations to stand in for Silicon Valley and features the talented Tara Fitzgerald mastering an American accent, these elements are among the few redeeming qualities of New World Disorder. The movie doesn't attempt to mask its low budget, but its aspirations fall even lower. The plot is riddled with predictable twists, relying heavily on clichés from police and action films, and Andrew McCarthy's portrayal of the villain falls flat. Viewers with a decent understanding of computers may cringe at the film's handling of its supposed subject matter. With the exception of die-hard Rutger Hauer fans, most viewers would be wise to skip New World Disorder.

RATING: 2/10 (-)

(Note: This review was originally posted on the Usenet newsgroup rec.arts.films.reviews on July 17, 2004)

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