In the world of L.A. Johns, things often appear different than they truly are. Directed by Joyce Chopra, this 1997 television film follows Liz (portrayed by Britney Powell), a woman who embodies the ideal Los Angeles image. Using her looks to her advantage, Liz works as a high-priced call-girl under the guidance of Madame Jacque (played by Deborah Harry), catering to wealthy and influential clientele. Despite the perception of a glamorous and sophisticated lifestyle, Liz soon discovers that even this world is not without its own set of challenges and risks.
Unlike typical American television films that tend to moralize on themes of prostitution, L.A. Johns takes a different approach. Rather than spoon-feeding the audience with predetermined values, the film invites viewers to draw their own conclusions about the characters and their decisions. Through mockumentary-style interviews, the script by Pat Brown and direction by Joyce Chopra aim to provide a more objective perspective. While initially promising as a fresh take on the subject matter, L.A. Johns falters with the introduction of a superfluous romantic subplot and a predictable ending. Additionally, the film lacks the expected level of sensuality, considering its provocative theme, even within the confines of American television standards. What could have been a thought-provoking exploration of a complex topic ultimately falls short, leaving L.A. Johns as just another forgettable television film.
RATING: 3/10 (+)
(Note: This review was originally posted on the Usenet newsgroup rec.arts.films.reviews on June 24th, 2004)
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