Suggestive of the Moral story of the Long Spoons illustration, The Stage envisions a brutalist working with an obscure number of levels. Every one contains two individuals, some of whom are detainees while others are volunteers entering in return for some type of installment. At the extremely top, on level zero, a fabulous smorgasbord is sent down through the center of the room. Each matching must then eat what they can or what they figure they ought to before it drops down to the following. There's sufficient nourishment for all levels yet for it to be apportioned out similarly, it depends on members to just take what they need. Every month, the pairings are moved to an alternate level. In the event that you awaken on six, you're in for a dining experience however in the event that you end up awakening on 123, things are going to get frightful.
Our good natured everyman, Goreng, played by Iván Massagué, enters at level 47 with a specific measure of trust, innocently expecting regard from those above and respectability from his fellow prisoner. Yet, it before long turns out to be evident that voracity and dread rule regardless of anything else. He's named a socialist for putting stock in the significance of proportions and all through the film, we perceive what his excursion between the numerous stages begins to mean for his own ethical quality and methodology, compelling him to do things he would have recently thought unimaginable.
There's a merciless effectiveness to the narrating, quickly, wantonly driving us all over the structure, constraining us to take the stand concerning a large number of detestations. It requires areas of strength for a, particularly as we see what occurs on the lower levels, yet the carnage feels to support a more noteworthy thought, one that keeps on developing as the film advances. It's a miserable little film yet it moves with such brutal speed that we wind up stuck to the screen, panting and recoiling, circumspectly expecting precisely exactly the way in which terrible things can get, in spite of the fact that I'd contend that the last scene doesn't land with a remarkable effect I was expecting.