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在每次進行人設插畫之前的準備工作都很瑣碎，像是把散亂在各處的拼圖片找回來讓它完整，逐漸的從故事裡的鳳毛鱗爪中提練出靈魂，然候再跟人物角色相互重疊。
Characters always appear earlier than the story.
多方嘗試和對比，一個人物用不同的表現法畫三遍，已經是個準則了（就職業病啦），如果發文慢，其原因都是在等圖。
Whether it is a professional or not, as long as you pick up a pen, you are responsible for yourself.
Sometimes a person’s regret is not what kind of school he attends, but he exaggerates his efforts and only hopes that people will praise him and say that his paintings are like professionals. This kind of person has been repeating and repeating his sadness, makes people feel ridiculous.
I know a lady on Matters. Although she is not a professional background, her paintings and her character are both admirable and reminded me to work hard like her.
（下班後，常畫到深夜，彷彿之前在動畫公司工作時的感覺又回來了，真懷念那些與色為伍、趕圖為業、看到圖只會注意色差的日子。）
Modeling，Background design and color, color, color…………… Or focus on my own artwork.
所謂如意先生，他的原形是迦樓羅（大鵬金翅鳥），妙法蓮華中也稱做揭路荼，因金色的羽翼美麗無雙又稱美翼（Suparna），以這樣的說法，把這隻大鳥的化身畫的好看點也不為過。
他的頭上有業花隨身當為結界，捻花微笑，看盡天上地下六道輪迴，當然祂自己也在其中為情所困啊～～
當他以神的形象出現的時候，又是下一張圖的草稿了。
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The drawing process/完稿的過程
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